SAAH037 CD Only
Released: November 1, 2005
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Aaron Snow: guitar, synthesizer, bass, drums, vocals
Adrienne Snow: synthesizer, vocals
Daron Gardner: bass, drums
Peter Baumann: synthesizer, bells and chimes

Track Listing: Loft - Yon - Spiral Arms - How to Be Clear - Music for Three Synthesizers

Dreamcore vets Landing have come back to roost at Strange Attractors after a couple of amazing space-gaze albums on K Records. Since the release of 2004's somnolent pop masterpiece Sphere, a shift in personnel occurred when founding member Dick Baldwin moved on. Recruiting longtime friend and frequent tour mate Peter Baumann to fill the gap on synthesizer, the shift in chemistry incited a turn in the band's overall perspective and approach to their music. Eschewing their time-tested songwriting method, Landing allowed a confluence of textures and influences to flow outward from each member, and after many rehearsals, a common interplay previously forged in the studio was left to blossom organically on its own accord. Compositionally, the end result is elaborately textured, patient, and hypnotic music of profound intimacy. Their seventh full length album in seven years, Brocade is a turning point for Landing, one that simultaneously harkens back to their roots as hushed drone rockers while journeying onwards into starkly minimalist, utterly cosmic terrain.

Reverting inward after some of their sunny travels into headspace, Brocade touches on early Krautrock rhythms while delving into traditional psychedelic ambient music. Barring a few instrumental overdubs, Brocade was performed live in the studio, resulting in an airy sort of freedom not felt since the gauzy bliss-out improvisation captured on Fade In/Fade Out or moments from their second album Oceanless. In every manifestation, it is a tour-de-force of minimalism, utilizing repeating patters that slowly and steadily develop shape as they float in and out of a barbiturate fog. In the early moments of the album, as fireballs of feedback and effects unfurl into the exquisitely Faust-like drum and bass repetitions of opener "Loft", it would seem that rock and roll would prevail even as the tune winds through increasingly lush terrain, swelling in size as more instrumental streams enter the flow. Placid waters emerge, however, as the drums drop out and Brocade turns into a study in atmospherics with the swelling pulse-and-drone of "Yon" and the shimmering, wispy ripples of "Spiral Arms". After the hazy overdrive of "How to Be Clear", Landing immerse themselves in sparse ambience as conjured by Eno's On Land or Harold Budd's glistening works, floating away with the aptly-named closer "Music For Three Synthesizer".

With five compositions stretching out to form 54 minutes of music, Brocade is an elegiac lament for Landing's past, and an introspective yearning towards a glistening new phase in their career.

Discography - Centrefuge CDep (Music Fellowship, 1999); Circuit CD (Music Fellowship, 2001); Oceanless CD (Strange Attractors Audio House, 2001); Windy & Carl/Landing Split CD (Music Fellowship, 2001); Seasons CD (Ba Da Bing!, 2002); Fade In/Fade Out CDep (Strange Attractors, 2002); Yello6/Rothko/Landing New Found Land 3-way split (Music Fellowship, 2002); Vast Arc Hues Tour CD (Music Fellowship, 2002); Passages Through CD (K Records, 2003); Sphere CD/LP (K Records, 2004)

Hear for yourself! Download a free MP3 of "How to Be Clear", found in our MP3 station

For complete news and info on Landing, head to the Landing site
Landing on Myspace
Press: Portland Mercury, Pitchfork, Babysue/LMNOP, Stylus Magazine, Foxy Digitalis, San Francisco Bay Guardian, Terrascope Online, PopMatters, Brainwashed, Urban Honking,
Oceanless page
Fade In/Fade Out page
Check out related project Surface of Eceyon, which includes Adam Forkner of Yume Bitsu, White Rainbow etc (The King Beneath the Mountain & Dragyyn still available)
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